When Documentary Photographs Are No Longer Mementos
Vo An Khanh's solo exhibition "Masked Force" preserves and transforms wartime memories so as to engage in new dialogues.
Vo An Khanh's solo exhibition "Masked Force" preserves and transforms wartime memories so as to engage in new dialogues.
By recreating childhood memories and interacting with historical landmarks, Hoang Cao questions his own existence within both public and private realms.
In search of her origins, the French artist reconstructs the invisible side of history through a plastic arts approach to photography.
A review of Terry Bennett's book "Early Photography in Vietnam" by Thy Phu.
The thread of maternal lineage runs through the visual narrative and connects the past with the present, calmly unfolding themes of memory, culture, and identity.
The founder of Invisible Photographer Asia offers down to earth advice on being a photography practitioner in this day and age.
The founder of the popular photography channel weighs in on establishing an online presence and the current challenges of content creation.
Introducing Matca's updated website in a crucial time to live and read slow.
The celebrated photographer and director believes in taking risks, finding various sources of inspirations and the virtue of self-discipline.
In An My-Lê’s "Small Wars", we don’t see combat. We see war being psychologically remembered, processed, relived, and rehearsed.
"I would suddenly remember my childhood and how I was so afraid of that same darkness. Back then, I would run straight back home. Now, maybe not."
Designer turned photographer Duong Gia Hieu discusses fashion on the streets of Vietnam, particularly the face mask culture.