Why Write about Photography?
Editors of independent platforms Matca (Vietnam) and C4 Journal (UK) exchange ideas about the why and how of writing photography.
opinion
Poetics Of The Body
In the only international photography collection of cult poet-photographer Ren Hang, we rediscover our human bodies.
Aya, Spirits of the Jungle
Yann Gross shares his photography journey leading up to the most recent book “Aya”, which re-examines the notion of escapism and identity.
Laurence Kubki’s Adventure with Tiny Fighters and Singers
The "Crickets" photobook takes readers on a journey through contemporary China, where pet crickets captivate audiences across generations.
Thuy Vy: Remember Spring
Quiet frames of Vietnam's agrarian landscapes are an attempt to preserve memories of a childhood home while confronting with the relentless state of flux.
Greg Girard: “The Way The City Looks In Photographs Is Its Own Reality”
On photographing unfamiliar places, looking at the overlooked, making books, and Instagram.
A Recap Of Activities Within The World Press Photo Exhibition 2018 – 2020
Looking back at the workshop, panel discussion, portfolio review, screening and artist talk as part of the World Press Photo Exhibition: Best of 2018 - 2020 in Hanoi.
Utilizing Online Tools For Photography: Advantages And Difficulties
The lead curator at World Press Photo and photo editor of VnExpress weigh in on the topic from their own experiences working through the pandemic.
“Curry In Between Two Teeth” And The Joy Of Zine Making
Co-authored by Dat Vu and Dat Vinh Tran, the zine is dedicated to the spirit of friendship in photography.
Reading Nguan In The Pandemic
The Singaporean photographer's pastel-tinted portraits of urban dwellers and sceneries take on a new meaning.
On People and Places
Vietnamese-Swiss photo artist explores spatial settings where poetic and polyphonic stories unfold.
Dzung Yoko On Fashion Photography
The veteran creative director discusses his photography practice, from sketching out concepts to standing behind the camera.
