{"id":6488,"date":"2018-03-23T15:07:33","date_gmt":"2018-03-23T08:07:33","guid":{"rendered":"https:\/\/matca.vn\/?p=6488"},"modified":"2020-03-24T11:06:49","modified_gmt":"2020-03-24T04:06:49","slug":"12-tac-pham-tu-workshop-lam-zine-cung-matca-inpages","status":"publish","type":"post","link":"https:\/\/matca.vn\/en\/12-tac-pham-tu-workshop-lam-zine-cung-matca-inpages\/","title":{"rendered":"12 Works From Zine Making Workshop With Matca & inpages"},"content":{"rendered":"
[vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle”][vc_column width=”1\/12″][\/vc_column][vc_column width=”10\/12″][vc_single_image image=”6419″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/12″][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]On the 15th and 16th of March, 12 participants attended the zine workshop co-hosted by Matca and inpages as a side activity of Duy Phuong’s solo photography exhibition <\/span>Volatile States<\/u><\/a>.<\/span><\/i> Although many attendees have received editing advice from Matca in previous Portfolio Review sessions, this is the first time they take the next step towards a print publication. From a single A3 page, 12 little art books are made after one and a half day of editing, designing, cutting and folding. <\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/6″ offset=”vc_hidden-xs”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”40px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle”][vc_column width=”1\/3″][vc_single_image image=”6479″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6420″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6421″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle”][vc_column width=”1\/3″][vc_single_image image=”6485″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6424″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6425″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row content_placement=”top”][vc_column width=”2\/12″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”5\/12″ offset=”vc_col-xs-12″][vc_column_text]”I feel so happy and inspired”, shares Dang Thanh Long, co-founder of independent bookstore inpages and our zine making instructor. The works from these little zines have great potential to be displayed in an exhibition or transformed into a proper photobook, he adds.<\/p>\n

Matca would like to extend our gratitude to the French Cultural Centre L’Espace, artist Duy Phuong and inpages for their great contribution to this event. Without further \u001d, let’s take a closer look at the final products from the workshop.\u00a0<\/span>[\/vc_column_text][vc_single_image image=”6417″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”4\/12″ offset=”vc_hidden-xs”][vc_single_image image=”6413″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/12″][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”40px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle”][vc_column width=”1\/3″][vc_single_image image=”6438″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6439″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6440″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]\u001dHano<\/u><\/a> – Ph\u01a1i<\/strong>
\nThe title \u201cPh\u01a1i\u201d in Vietnamese both means <\/span>hanging clothes <\/span><\/i>and <\/span>exposure<\/span><\/i>, which explains \u001dher subject matter and the film medium. Hano is fascinated with the habit of hanging clothes in public spaces, particularly in unexpected places like on electric wires or communal toilets. “In Vietnam, most people will dress nicely when going out <\/span>and revealing underwear is uncalled for; but when hanging clothes, they can ‘expose’ these items without second thoughts”, shares \u001dHano. Her adventure with hanging clothes does not stop at taking pictures alone. After she gets the prints, \u001dHano has also gone around asking the clothes owners for clippers to bind the zines. <\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/6″ offset=”vc_hidden-xs”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”40px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle”][vc_column width=”1\/3″][vc_single_image image=”6445″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6446″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6447″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]V\u0169 Chi\u1ebfn L\u1ee3i<\/u><\/a> – 2nd Day of Tet <\/b><\/strong>
\nLoi presents a series taken during the 2nd day of Tet, the only time in the year where his big family can reunite in his hometown. The form of zine is \bparticularly suitable for his story because of its many similarities to a family album. Loi slowly introduces viewers to the journey back to his hometown, from an early bus ride to the first meal together, to signs of geographical distance and generation gap, then to his grandmother’s somber gaze at the end of the day when all family members prepare to return to their city houses. The old family photo is divided into the front and back cover, connected by a picture of spring blossom – the symbol of Tet. <\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/6″ offset=”vc_hidden-xs”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”40px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle”][vc_column width=”1\/3″][vc_single_image image=”6448″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6449″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6450″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]H\u00e0 Ki\u1ec1u Anh<\/u><\/a> – Hanoi\u00a0<\/strong>
\nHanoi in Kieu Anh’s eyes is gentle, slow-paced and without the hustle bustle we are used to everyday. Here we see nostalgic scenes of the city, like a foggy West lake, flower vendors, men playing Chinese chess or Soviet-style apartment compounds. She folds the spine into a love heart, turning her zine into a sweet love letter to the city where she is born and raised. <\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/6″ offset=”vc_hidden-xs”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”40px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle”][vc_column width=”1\/3″][vc_single_image image=”6426″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6442″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6443″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]Nguy\u1ec5n Ph\u01b0\u01a1ng<\/u><\/a> –\u00a0<\/strong>Light <\/b>
\nThe <\/span>black and white series<\/span><\/a> by Nguyen Phuong has been greatly developed from the last time it was introduced in a portfolio review with Matca. Phuong shares that he chooses to shoot in black and white because it fits the dramatic feel and sharp contrast he wants his work to have. The 16-page zine template and a tight layout are chosen to create a sense of tension.\u00a0<\/span><\/strong>[\/vc_column_text][\/vc_column][vc_column width=”1\/6″ offset=”vc_hidden-xs”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”40px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle”][vc_column width=”1\/3″][vc_single_image image=”6452″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6453″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6454″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]Tr\u1ea7n \u0110\u1ee9c Trung<\/u><\/a> –\u00a0<\/strong>A Trip To Korea<\/b>
\nTrung gets off from a guided tour to explore Korea on his own during a short trip there. The series is a collection of moments alone and together on the street, of strange faces in a foreign city going about their daily life without noticing an observing camera. <\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/6″ offset=”vc_hidden-xs”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”40px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle”][vc_column width=”1\/3″][vc_single_image image=”6455″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6456″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6457″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]Ph\u01b0\u01a1ng V\u0169<\/u><\/a> –\u00a0<\/strong>Untitled <\/b>
\nUnlike most other participants who follow a documentary approach, Phuong brings fashion and conceptual photos he shoots for his own clothing brand. Despite belonging in several different series, his photos can still stand together in a zine because of their quirky, ironic visuals and concept. <\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/6″ offset=”vc_hidden-xs”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”40px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle”][vc_column width=”1\/3″][vc_single_image image=”6458″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6459″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6460″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]Nguy\u1ec5n Thanh Hu\u1ebf<\/u><\/a> – Just Hanoi\u00a0<\/strong>
\nHue’s portrait of the city is comprised of two parts: public \u001dlives on the street and private \blives inside houses in the Old Quarter. Her street photos have a special air of intimacy. She has chosen the 8-page zine format so that her tightly composed photos can be printed large. Hue has slipped photos of the interior inside the zine so viewers have to open it up to see like opening a door to enter someone’s home.\u00a0<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/6″ offset=”vc_hidden-xs”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”40px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle”][vc_column width=”1\/3″][vc_single_image image=”6486″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6476″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6477″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]L\u00ea Xu\u00e2n Phong<\/u><\/a> –<\/strong>\u00a0By The Water <\/b>
\nPhong works on this series while wandering around the lake nearby where he lives or during trips to beaches and rivers, documenting people’s activities and what they leave behind near the water. As the series conjures feelings of ambiguity and loneliness, Phong decides to combines three 8-page zines into one in order to have many blank spaces, allowing the photos to “float” aimlessly on the pages. After the workshop, Phong intends to continue making more zines as the act of handmaking makes him appreciate his own works.<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/6″ offset=”vc_hidden-xs”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”40px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle”][vc_column width=”1\/3″][vc_single_image image=”6461″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6462″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6463″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]Ph\u1ea1m Quang Trung<\/u><\/a> – Souvenirs Of Us\u00a0<\/strong>
\nWhen the series is introduced in one of our portfolio reviews, we have also suggested Trung making a zine because of its intimate quality. The 16-page story starts with poetic closeups of his mother, leading to climatic big spreads of her unflinching nude portraits, and ends with quiet images of her and the photographer together. Trung states that if life on earth is just a journey, what will have will become a keepsake to bring with us to the afterlife, like the souvenirs we buy to remember a place we have been to. These photos and this little book perhaps will help Trung to keep dear memories of himself, his mother and their time spent with each other. <\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/6″ offset=”vc_hidden-xs”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”40px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle”][vc_column width=”1\/3″][vc_single_image image=”6472″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6473″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6474″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]Simon Wraight<\/a>\u00a0<\/u><\/strong> \u2013 Shifted Emotions<\/b>
\nSimon’s work is about feelings of boredom and disappointment during 4 months constantly moving from one city to another. He speaks about the pressure to send pretty pictures back home to update with his family, as well as the expectation to always be happy when traveling, while the reality is the ups and downs in daily life will stay with you no matter how far you go. The series is comprised of lonely moments when being in the midst of a crowd at a tourist destination, happy moments when reuniting with friends, or simply a nothing-special day staying in a shanty hotel to watch movies just like at home. <\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/6″ offset=”vc_hidden-xs”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”40px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle”][vc_column width=”1\/3″][vc_single_image image=”6465″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6466″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6467″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]Ph\u1ea1m Thu Thu\u1ef7<\/u><\/a> –\u00a0<\/strong>Saigon <\/b>
\nThuy brings a set of photos taken on weekends when she spends time wandering corners of Saigon, the energetic city where she has recently moved to and is trying to catch up with. The series is edited down to a collection of random findings in a new place rather than trying to conjure a detailed description of Saigon. She has also experimented with the medium by creating a tiny pop-up or hiding the image of the city’s map on the back of the zine.<\/span> <\/strong>[\/vc_column_text][\/vc_column][vc_column width=”1\/6″ offset=”vc_hidden-xs”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”40px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle”][vc_column width=”1\/3″][vc_single_image image=”6483″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6470″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”6471″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]Phan Th\u1ebf H\u01b0ng<\/u><\/a> –\u00a0<\/strong>Move <\/b>
\nHung shoots these images on a trip to escape the fatigue of daily life, capturing movement looking through car windows or in fleeting encounters. Hung shares that he is running from reality, but anyone has to come back to the same existence sooner or later. The series is comprised of dark, blurry pictures that convey ambiguity and made into a 12-page zine with big spreads to illustrate constant motion. \u00a0<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/6″ offset=”vc_hidden-xs”][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle”][vc_column width=”1\/12″][\/vc_column][vc_column width=”10\/12″][vc_single_image image=”6419″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/12″][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]On the 15th and 16th of March, 12 participants attended the zine workshop co-hosted by Matca and inpages as a side activity of Duy Phuong’s solo photography exhibition Volatile States. Although many attendees have received editing advice from Matca in previous Portfolio Review sessions, this is the first time they take the next step towards a print publication. From a single A3 page, 12 […]<\/p>\n","protected":false},"author":3,"featured_media":6438,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[492,270],"tags":[907,903,904,910],"class_list":["post-6488","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-activities","category-space","tag-hanoi-en","tag-photobook-en","tag-review-en","tag-workshop-en"],"yoast_head":"\n12 Works From Zine Making Workshop With Matca & inpages - Matca<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/matca.vn\/en\/12-tac-pham-tu-workshop-lam-zine-cung-matca-inpages\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"12 Works From Zine Making Workshop With Matca & inpages - Matca\" \/>\n<meta property=\"og:description\" content=\"[vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle”][vc_column width=”1\/12″][\/vc_column][vc_column width=”10\/12″][vc_single_image image=”6419″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/12″][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]On the 15th and 16th of March, 12 participants attended the zine workshop co-hosted by Matca and inpages as a side activity of Duy Phuong’s solo photography exhibition Volatile States. Although many attendees have received editing advice from Matca in previous Portfolio Review sessions, this is the first time they take the next step towards a print publication. 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