{"id":4859,"date":"2017-09-15T14:53:40","date_gmt":"2017-09-15T07:53:40","guid":{"rendered":"https:\/\/matca.vn\/?p=4859"},"modified":"2020-03-24T15:44:48","modified_gmt":"2020-03-24T08:44:48","slug":"du-an-tinder-va-trien-lam-chua-hoan-thien-cua-yatender","status":"publish","type":"post","link":"https:\/\/matca.vn\/en\/du-an-tinder-va-trien-lam-chua-hoan-thien-cua-yatender\/","title":{"rendered":"Yatender’s Tinder Project And Her Fragmentary Series"},"content":{"rendered":"
[vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]Yatender\u2019s latest solo show <\/span>2 \u2013 1<\/span><\/i> with pictures from her ongoing <\/span>Tinder Project<\/span><\/i> opened late August to September 14 at Vin Gallery. Her work from this same project have been very recently featured in Saigon Artbook 07 and a group exhibition at The Factory. The show is a continuation of heightened interest in photography worth celebrating at galleries both North and South, and similar to other shows, it introduces more introductory and in-progress rather than a well-developed, ready-to-exhibit body of work.<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/6″ offset=”vc_hidden-xs”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”40px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” gap=”20″ content_placement=”top”][vc_column width=”1\/2″][vc_single_image image=”4844″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”4843″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]The first thought visitors have upon visiting Vin Gallery these days must have been of surprising spaciousness. Vin Gallery is among the small, private galleries of Saigon and it is rare to find it so empty despite having a show running. Yatender\u2019s pictures are printed very small in comparison to gallery’s space, and there are in fact not many pictures. They are organized in scattered groups of photographs, each occupying a section of the walls that do not seem to correspond to each other. That assumption would be confirmed when the visitor walks closer and realize that each of those groups feature a different young man, except for the group in the far corner dedicated to a scramble of different partners. Another arbitrary installation choice is the number of pictures in each group, for example one has 15 pictures and another only 5.\u00a0The pictures are accompanied by little pieces of paper with the photographer’s own handwriting that detail the exchanges between her and the subjects.[\/vc_column_text][\/vc_column][vc_column width=”1\/6″ offset=”vc_hidden-xs”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”40px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” gap=”20″ content_placement=”top”][vc_column width=”1\/2″][vc_single_image image=”4845″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”4846″ img_size=”full” add_caption=”yes”][vc_single_image image=”4847″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]The pictures throughout the exhibition depict candid moments of interaction in their fleeting encounters. In each panel, details of their short-lived but intimate relationships are laid out, suggesting a sensual connection. Depicting the men in various situations, the pictures mostly belongs to two kinds. The first shows them participating with the photographer and pose wildly for the camera, the other kind shows them in their quieter, caught-off-guard moments when they are mostly by themselves.<\/span><\/p>\n

Doused in the harsh light of Yatender\u2019s camera flash, subjects in the first kind of pictures are seemingly actors under the spotlight. In one photo, a man in a bright red trunk was jumping off a tree, suspended in the middle of his action. In another, a different man wrapped himself with gift wrap ribbon. While this kind of photos are fun to look at, the men\u2019s real faces are hidden behind a fa\u00e7ade of performance and could not keep up with her goal to make portraits of their inner soul.\u00a0<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/6″ offset=”vc_hidden-xs”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”40px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” gap=”20″ content_placement=”top”][vc_column width=”1\/2″][vc_single_image image=”4848″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”4849″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]The context of these pictures that help viewers better understand is unfortunately found in Saigon Artbook 07 and not at the exhibition itself. The idea is that when Yatender have developed an intimate relationship with her subject \/ partner, she would ask them to let her take pictures of them doing something \u2013 anything he could think of. Though different in forms and shapes, those pictures feel similarly contrived and produced for the camera. In this way, the pictures function less as candid portraits of their subjects than a reflection\u00a0of the artist. As the men in the pictures responded to the Yatender\u2019s peculiar request with corresponding imagery they think would work for her, the results are more the artist’s\u00a0than their own.<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/6″ offset=”vc_hidden-xs”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”40px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” gap=”20″ content_placement=”middle”][vc_column width=”1\/2″][vc_single_image image=”4850″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”4851″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]In contrast, the second type of portraits offers the vision that the first is lacking, showing the same men in the moments when they are alone and unaware with no need to impress. In these pictures, the men look lonely and vulnerable but truly themselves. While not as quirky and visually catchy as the others, they reserve a kind of subtle strength that invite viewers to ponder and empathize.<\/span><\/p>\n

Throughout the exhibition, while there are very few pictures of Yatender, her presence is always there, albeit scattered all over the places. In one way or another, her appearance is cut off, either by the camera she is holding to take a mirror selfie or by the frame itself. Opposite to the men whose identities are revealed, Yatender consciously keep herself away from viewers\u2019 gaze. As Yatender remains elusive, the very rare picture in which she let herself be seen becomes the gem of the whole show.[\/vc_column_text][\/vc_column][vc_column width=”1\/6″ offset=”vc_hidden-xs”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”40px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” gap=”20″ content_placement=”top”][vc_column width=”1\/2″][vc_single_image image=”4852″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”4854″ img_size=”full” add_caption=”yes”][vc_single_image image=”4853″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]In a guesthouse room, two twin beds are set opposite of each other. The color and the light let us know that it is deep into the night. One man, topless, lying face down on one bed seemingly asleep and oblivious of all else. One woman, obscured due to the long exposure time and movement, sit on the other bed, naked and reduced only to a transparent form and shape. The scene is surreal and packed with inexplanable drama. In this picture, all the elements of what is interesting in Yatender\u2019s pictures converged. The tenderness of the stolen, off-guard moment is present. The mystery, the wonder, the vulnerabilities and the loneliness are all here. All the prospects of what the exhibition could be but failed to become is here in this single picture.<\/span><\/p>\n

Having seen traces of potential scattered in the pictures, themselves dispersed almost aimlessly on the wall, it is difficult to not feel disappointed. As I left the gallery, I could not help but wonder how much better the exhibition could have been if Yatender had more time to develop the project, enough for her to find herself and be more sincere with her subjects, pictures and her own feelings.[\/vc_column_text][\/vc_column][vc_column width=”1\/6″ offset=”vc_hidden-xs”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”40px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” gap=”20″ content_placement=”top”][vc_column width=”1\/12″][\/vc_column][vc_column width=”10\/12″][vc_single_image image=”4855″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/12″][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column][vc_empty_space height=”20px”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]2 – 1 : A Yatender Solo<\/a><\/strong><\/em><\/u>
\nVenue: Vin Gallery, 6 Le Van Mien, Thao Dien, D.2, TP.HCM
\nTime: 11\/8 to 14\/9\/2017.
\nFree entrance.<\/em>[\/vc_column_text][\/vc_column][vc_column width=”1\/6″ offset=”vc_hidden-xs”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_empty_space height=”40px”][vc_separator][vc_empty_space height=”20px”][vc_column_text]Hoang Nguyen<\/a><\/u>\u00a0is a freelance photographer born in Hanoi and is currently based in Ho Chi Minh city. His work is a combination of street photography and conceptual self-portraits. Graduated from DePauw University in 2014, came back to Vietnam in 2015, he has been seeking and photographing his attachment to Vietnam.
\nConnect with him on\u00a0Facebook<\/u><\/a>\u00a0and\u00a0Instagram<\/u><\/a>.<\/em>[\/vc_column_text][\/vc_column][vc_column width=”1\/6″ offset=”vc_hidden-xs”][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]Yatender\u2019s latest solo show 2 \u2013 1 with pictures from her ongoing Tinder Project opened late August to September 14 at Vin Gallery. Her work from this same project have been very recently featured in Saigon Artbook 07 and a group exhibition at The Factory. The show is a continuation of heightened interest in photography worth celebrating at galleries both North and South, and similar to other shows, it introduces more introductory and in-progress rather […]<\/p>\n","protected":false},"author":17,"featured_media":4853,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[36,108],"tags":[918,889,912,896,904],"class_list":["post-4859","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-journal","tag-analog-en","tag-documentary-en","tag-exhibition-en","tag-personal-project-en","tag-review-en"],"yoast_head":"\nYatender's Tinder Project And Her Fragmentary Series - Matca<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/matca.vn\/en\/du-an-tinder-va-trien-lam-chua-hoan-thien-cua-yatender\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Yatender's Tinder Project And Her Fragmentary Series - Matca\" \/>\n<meta property=\"og:description\" content=\"[vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]Yatender\u2019s latest solo show 2 \u2013 1 with pictures from her ongoing Tinder Project opened late August to September 14 at Vin Gallery. Her work from this same project have been very recently featured in Saigon Artbook 07 and a group exhibition at The Factory. The show is a continuation of heightened interest in photography worth celebrating at galleries both North and South, and similar to other shows, it introduces more introductory and in-progress rather […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/matca.vn\/en\/du-an-tinder-va-trien-lam-chua-hoan-thien-cua-yatender\/\" \/>\n<meta property=\"og:site_name\" content=\"Matca\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/matca.vn\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/hoangmn92\" \/>\n<meta property=\"article:published_time\" content=\"2017-09-15T07:53:40+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-03-24T08:44:48+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/matca.vn\/wp-content\/uploads\/2017\/09\/yatenderexhibition_untitled-0783.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Minh Ho\u00e0ng Nguy\u1ec5n\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@matcavn\" \/>\n<meta name=\"twitter:site\" content=\"@matcavn\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Minh Ho\u00e0ng Nguy\u1ec5n\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/matca.vn\\\/en\\\/du-an-tinder-va-trien-lam-chua-hoan-thien-cua-yatender\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/matca.vn\\\/en\\\/du-an-tinder-va-trien-lam-chua-hoan-thien-cua-yatender\\\/\"},\"author\":{\"name\":\"Minh Ho\u00e0ng Nguy\u1ec5n\",\"@id\":\"https:\\\/\\\/matca.vn\\\/en\\\/#\\\/schema\\\/person\\\/c5d49bc6cdb600f939d5b9bcf3f8510c\"},\"headline\":\"Yatender’s Tinder Project And Her Fragmentary Series\",\"datePublished\":\"2017-09-15T07:53:40+00:00\",\"dateModified\":\"2020-03-24T08:44:48+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/matca.vn\\\/en\\\/du-an-tinder-va-trien-lam-chua-hoan-thien-cua-yatender\\\/\"},\"wordCount\":1798,\"image\":{\"@id\":\"https:\\\/\\\/matca.vn\\\/en\\\/du-an-tinder-va-trien-lam-chua-hoan-thien-cua-yatender\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/matca.vn\\\/wp-content\\\/uploads\\\/2017\\\/09\\\/yatenderexhibition_untitled-0783.jpg\",\"keywords\":[\"analog\",\"documentary\",\"exhibition\",\"personal project\",\"review\"],\"articleSection\":[\"Features\",\"Journal\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/matca.vn\\\/en\\\/du-an-tinder-va-trien-lam-chua-hoan-thien-cua-yatender\\\/\",\"url\":\"https:\\\/\\\/matca.vn\\\/en\\\/du-an-tinder-va-trien-lam-chua-hoan-thien-cua-yatender\\\/\",\"name\":\"Yatender's Tinder Project And Her Fragmentary Series - 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T\u1ed1t nghi\u1ec7p tr\u01b0\u1eddng \u0111\u1ea1i h\u1ecdc DePauw n\u0103m 2014, tr\u1edf l\u1ea1i Vi\u1ec7t Nam n\u0103m 2015, anh v\u1eabn \u0111ang t\u00ecm ki\u1ebfm v\u00e0 ch\u1ee5p l\u1ea1i nh\u1eefng m\u1ed1i li\u00ean k\u1ebft c\u1ee7a b\u1ea3n th\u00e2n v\u1edbi Vi\u1ec7t Nam.\",\"sameAs\":[\"https:\\\/\\\/www.hoangnguyenphoto.com\",\"https:\\\/\\\/www.facebook.com\\\/hoangmn92\",\"https:\\\/\\\/www.instagram.com\\\/hoangmn92\"],\"url\":\"https:\\\/\\\/matca.vn\\\/en\\\/author\\\/hoangnguyen\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Yatender's Tinder Project And Her Fragmentary Series - Matca","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/matca.vn\/en\/du-an-tinder-va-trien-lam-chua-hoan-thien-cua-yatender\/","og_locale":"en_US","og_type":"article","og_title":"Yatender's Tinder Project And Her Fragmentary Series - Matca","og_description":"[vc_row content_placement=”middle”][vc_column width=”1\/6″ offset=”vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”2\/3″ offset=”vc_col-xs-12″][vc_column_text]Yatender\u2019s latest solo show 2 \u2013 1 with pictures from her ongoing Tinder Project opened late August to September 14 at Vin Gallery. Her work from this same project have been very recently featured in Saigon Artbook 07 and a group exhibition at The Factory. The show is a continuation of heightened interest in photography worth celebrating at galleries both North and South, and similar to other shows, it introduces more introductory and in-progress rather […]","og_url":"https:\/\/matca.vn\/en\/du-an-tinder-va-trien-lam-chua-hoan-thien-cua-yatender\/","og_site_name":"Matca","article_publisher":"https:\/\/www.facebook.com\/matca.vn","article_author":"https:\/\/www.facebook.com\/hoangmn92","article_published_time":"2017-09-15T07:53:40+00:00","article_modified_time":"2020-03-24T08:44:48+00:00","og_image":[{"width":1200,"height":800,"url":"https:\/\/matca.vn\/wp-content\/uploads\/2017\/09\/yatenderexhibition_untitled-0783.jpg","type":"image\/jpeg"}],"author":"Minh Ho\u00e0ng Nguy\u1ec5n","twitter_card":"summary_large_image","twitter_creator":"@matcavn","twitter_site":"@matcavn","twitter_misc":{"Written by":"Minh Ho\u00e0ng Nguy\u1ec5n","Est. reading time":"9 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/matca.vn\/en\/du-an-tinder-va-trien-lam-chua-hoan-thien-cua-yatender\/#article","isPartOf":{"@id":"https:\/\/matca.vn\/en\/du-an-tinder-va-trien-lam-chua-hoan-thien-cua-yatender\/"},"author":{"name":"Minh Ho\u00e0ng Nguy\u1ec5n","@id":"https:\/\/matca.vn\/en\/#\/schema\/person\/c5d49bc6cdb600f939d5b9bcf3f8510c"},"headline":"Yatender’s Tinder Project And Her Fragmentary Series","datePublished":"2017-09-15T07:53:40+00:00","dateModified":"2020-03-24T08:44:48+00:00","mainEntityOfPage":{"@id":"https:\/\/matca.vn\/en\/du-an-tinder-va-trien-lam-chua-hoan-thien-cua-yatender\/"},"wordCount":1798,"image":{"@id":"https:\/\/matca.vn\/en\/du-an-tinder-va-trien-lam-chua-hoan-thien-cua-yatender\/#primaryimage"},"thumbnailUrl":"https:\/\/matca.vn\/wp-content\/uploads\/2017\/09\/yatenderexhibition_untitled-0783.jpg","keywords":["analog","documentary","exhibition","personal project","review"],"articleSection":["Features","Journal"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/matca.vn\/en\/du-an-tinder-va-trien-lam-chua-hoan-thien-cua-yatender\/","url":"https:\/\/matca.vn\/en\/du-an-tinder-va-trien-lam-chua-hoan-thien-cua-yatender\/","name":"Yatender's Tinder Project And Her Fragmentary Series - 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