{"id":15404,"date":"2020-12-25T10:49:53","date_gmt":"2020-12-25T03:49:53","guid":{"rendered":"http:\/\/matca.vn\/greg-girard-interview\/"},"modified":"2020-12-27T18:02:03","modified_gmt":"2020-12-27T11:02:03","slug":"greg-girard-interview","status":"publish","type":"post","link":"https:\/\/matca.vn\/en\/greg-girard-interview\/","title":{"rendered":"Greg Girard: “The Way The City Looks In Photographs Is Its Own Reality”"},"content":{"rendered":"\n
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Greg Girard answered the interview from his hometown Vancouver, Canada, where he returned after three decades in Asia. During this time,<\/em> Girard has documented many cities in transition, including Hanoi. We revisited his Hanoi Calling<\/span><\/a><\/em><\/em> book published ten years ago on the eve of its millennium anniversary. While the front cover presents a panorama of the cityscape at dusk, the back reveals a more intimate view. A group portrait of four young women hung on a turquoise wall, partially lit by a gentle sunbeam. The children’s drawings on the wall implied the shared nature of domestic life. <\/p>\n<\/div>\n\n\n\n

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