{"id":13037,"date":"2020-03-31T14:45:08","date_gmt":"2020-03-31T07:45:08","guid":{"rendered":"https:\/\/matca.vn\/?p=13037"},"modified":"2020-04-01T00:26:12","modified_gmt":"2020-03-31T17:26:12","slug":"nguyen-duy-tuan-suddenly-it-hurts-a-little","status":"publish","type":"post","link":"https:\/\/matca.vn\/en\/nguyen-duy-tuan-suddenly-it-hurts-a-little\/","title":{"rendered":"Nguyen Duy Tuan: Suddenly, It Hurts A Little"},"content":{"rendered":"
[vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle” css=”.vc_custom_1585639433807{padding-top: 0px !important;padding-bottom: 20px !important;}”][vc_column width=”1\/2″][vc_column_text]\n

In recent years, whenever I went back to my hometown, I would always leave my house to go on long walks alone, every single night, and wouldn\u2019t come back until I was very tired. I would do that to avoid my dad\u2019s temper when he got drunk. Wandering around the empty village roads at night, I would lurk in the dark, capturing things encountered on the way. Occasionally when passing by a familiar scene, I would suddenly remember my childhood and how I was terrified of that same darkness, of the dancing lights, indiscernible figures, and giggles echoing through the night. Back then, I would run straight back home. Now, maybe not.<\/p><\/blockquote>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”13002″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column offset=”vc_col-lg-2 vc_col-md-2 vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column offset=”vc_col-lg-8 vc_col-md-8 vc_col-xs-12″][vc_column_text]Nguyen Duy Tuan\u2019s project titled Suddenly, It Hurts a Little<\/em> was selected to represent Vietnam at the group exhibition of Chiang Mai Photo Festival 2020<\/u><\/a>, among other emerging artists from 29 art institutions from across the world. As a self-described introvert, Tuan has gone through a long journey to overcome insecurities and reveal this intensely personal first body of work. He shares with Matca about taking photos as a way to deal with a difficult period in his youth, and how \bfinishing a project has changed his life for the better.[\/vc_column_text][\/vc_column][vc_column offset=”vc_col-lg-2 vc_col-md-2 vc_hidden-xs”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle” css=”.vc_custom_1529648169037{padding-top: 40px !important;padding-bottom: 20px !important;}”][vc_column width=”7\/12″][vc_single_image image=”13006″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”5\/12″][vc_single_image image=”13004″ img_size=”full” add_caption=”yes”][vc_single_image image=”13010″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column offset=”vc_col-lg-2 vc_col-md-2 vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column offset=”vc_col-lg-8 vc_col-md-8 vc_col-xs-12″][vc_column_text]Could you tell us how the project was conceived?<\/strong>
\nI started taking these photos in 2017, one year after I got enrolled at the Hanoi Academy of Theatre and Cinema. They were part of my weekly assignments for school. However, I wouldn\u2019t submit them because they didn\u2019t conform to the classic style of photography required by the professors.<\/p>\n

It was also a time when I often left home to wander alone at night. I just grabbed my camera and experimented without thinking too much. Some pictures were produced as a contingent result of these experiments, under the influence of certain emotions. In the beginning, I didn\u2019t intend to make a project out of this. I was only trying to express what I felt. Only after I had gathered the photos \u2013 with encouragement from friends – that I realized there was a story. Were it not for the help of my friends, I would still keep it to myself.[\/vc_column_text][\/vc_column][vc_column offset=”vc_col-lg-2 vc_col-md-2 vc_hidden-xs”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle” css=”.vc_custom_1529648274916{padding-top: 40px !important;padding-bottom: 20px !important;}”][vc_column width=”1\/2″][vc_single_image image=”13008″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”13012″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column offset=”vc_col-lg-2 vc_col-md-2 vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column offset=”vc_col-lg-8 vc_col-md-8 vc_col-xs-12″][vc_column_text]You brought this project to a portfolio review organized at Matca Space for Photography last December, which led to a private mentoring session with Yoppy Pieter<\/u><\/a>. What have you learnt from this experience?<\/strong>
\nYoppy is an educator who truly knows how to work with students. He didn\u2019t edit my work but help me do it myself, by asking questions about how I wanted to tell my story or in what order the photos should be arranged to convey my feelings. They had always been vague and elusive, but he helped me put them into words, like feelings of anger, (pause to find the right word)<\/em> of deception, of frustration that inhabited my mind when I made these photos.[\/vc_column_text][\/vc_column][vc_column offset=”vc_col-lg-2 vc_col-md-2 vc_hidden-xs”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle” css=”.vc_custom_1529648274916{padding-top: 40px !important;padding-bottom: 20px !important;}”][vc_column width=”1\/2″][vc_single_image image=”13014″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”13016″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column offset=”vc_col-lg-2 vc_col-md-2 vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column offset=”vc_col-lg-8 vc_col-md-8 vc_col-xs-12″][vc_column_text]At that moment, were you able to define the subject of the series?<\/strong>
\nBefore that, I had written the artist statement for the exhibition in Chiang Mai, so I had somewhat of an idea about the topic. For a long time, I have been obsessed with the topic of family relationships. But I also had difficulties articulating my emotions, so in the text, I just recounted my shooting process instead of directly addressing the subject.[\/vc_column_text][\/vc_column][vc_column offset=”vc_col-lg-2 vc_col-md-2 vc_hidden-xs”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle” css=”.vc_custom_1529648274916{padding-top: 40px !important;padding-bottom: 20px !important;}”][vc_column width=”1\/2″][vc_single_image image=”13020″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”13018″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row content_placement=”middle”][vc_column offset=”vc_col-lg-2 vc_col-md-2 vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column offset=”vc_col-lg-8 vc_col-md-8 vc_col-xs-12″][vc_column_text]How do you feel now that the photos have grown into a coherent work and got selected for a public exhibition?<\/strong>
\nThis project has helped me reconcile with my father. When I went home for the Tet holiday this year, I felt more comfortable talking to him, even though we just chatted about simple matters. I\u2019ve also had a bit more confidence and enthusiasm to take up new projects. Before, I was quite timid and often resorted to photographing landscapes or people from behind. Now I\u2019ve learnt to interact with people and to come closer, rather than hiding myself when making work. Overall, this series has considerably changed both my personal and professional life.[\/vc_column_text][\/vc_column][vc_column offset=”vc_col-lg-2 vc_col-md-2 vc_hidden-xs”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle” css=”.vc_custom_1529648274916{padding-top: 40px !important;padding-bottom: 20px !important;}”][vc_column width=”1\/2″][vc_single_image image=”13024″ img_size=”full” add_caption=”yes”][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”13022″ img_size=”full” add_caption=”yes”][\/vc_column][\/vc_row][vc_row content_placement=”middle” css=”.vc_custom_1529648444439{padding-top: 40px !important;}”][vc_column width=”1\/12″ offset=”vc_col-lg-2 vc_col-md-2 vc_hidden-xs”][vc_column_text][\/vc_column_text][\/vc_column][vc_column offset=”vc_col-lg-8 vc_col-md-8 vc_col-xs-12″][vc_separator][vc_empty_space height=”20px”][vc_column_text]Nguyen Duy Tuan is currently working as a freelance photographer based in Hanoi, while also pursuing his Bachelor\u2019s degree in Art Photography at the Hanoi Academy of Theatre and Cinema.<\/em>
\n Connect with Duy Tuan on Instagram<\/u><\/a>.<\/em>[\/vc_column_text][\/vc_column][vc_column width=”1\/12″ offset=”vc_col-lg-2 vc_col-md-2 vc_hidden-xs”][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle” css=”.vc_custom_1585639433807{padding-top: 0px !important;padding-bottom: 20px !important;}”][vc_column width=”1\/2″][vc_column_text] In recent years, whenever I went back to my hometown, I would always leave my house to go on long walks alone, every single night, and wouldn\u2019t come back until I was very tired. I would do that to avoid my dad\u2019s temper when he got drunk. Wandering around the empty village roads at night, I would lurk in the dark, capturing things encountered on the way. Occasionally when passing […]<\/p>\n","protected":false},"author":29,"featured_media":13004,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[36,108],"tags":[900,901,890,891,896],"class_list":["post-13037","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-journal","tag-black-white-en","tag-conceptual-en","tag-family-en","tag-feature-en","tag-personal-project-en"],"yoast_head":"\nNguyen Duy Tuan: Suddenly, It Hurts A Little - Matca<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/matca.vn\/en\/nguyen-duy-tuan-suddenly-it-hurts-a-little\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nguyen Duy Tuan: Suddenly, It Hurts A Little - Matca\" \/>\n<meta property=\"og:description\" content=\"[vc_row full_width=”stretch_row_content_no_spaces” gap=”20″ content_placement=”middle” css=”.vc_custom_1585639433807{padding-top: 0px !important;padding-bottom: 20px !important;}”][vc_column width=”1\/2″][vc_column_text] In recent years, whenever I went back to my hometown, I would always leave my house to go on long walks alone, every single night, and wouldn\u2019t come back until I was very tired. I would do that to avoid my dad\u2019s temper when he got drunk. Wandering around the empty village roads at night, I would lurk in the dark, capturing things encountered on the way. 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I would do that to avoid my dad\u2019s temper when he got drunk. Wandering around the empty village roads at night, I would lurk in the dark, capturing things encountered on the way. 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